Check Before Submit

What are Adobe Stock's technical requirements for photos?

By Check Before Submit · Updated 13 October 2026.

Adobe Stock asks for photos that are JPEG files with an sRGB colour profile, between 4 and 100 megapixels, at most 45 MB, and free of watermarks, timestamps and branding. Photos should also be sharp and well lit. These are the technical requirements on Adobe's contributor help page, last updated 11 June 2026.

Key points

  • Five technical requirements: format and colour profile, resolution, file size, clean content, and quality.
  • Three of them can be measured from the file itself: the JPEG format with an sRGB profile, the resolution, and the file size.
  • Two cannot be settled from the file: watermarks and branding need someone to look, and sharp and well lit is a judgement.
  • Adobe separates technical requirements from legal ones. Model releases, property releases and logos are a different list.
  • Adobe does not say how it counts a megabyte or a megapixel, so files close to a limit are uncertain.

The requirements

Adobe's photo submission page lists these, and adds that larger files up to the maximum can offer more flexibility for customers.

RequirementWhat Adobe saysCan a file check verify it?
Image resolution4 MP to 100 MP (megapixels)Yes, from the width and height in the file
File sizeMaximum 45 MBYes, from the file size
FormatJPEG with sRGB colour profileYes: the file content, and the embedded profile
ContentFree of any watermarks, timestamps or brandingNo. It needs a person to look.
QualitySharp focus and well litNot reliably. See the limits below.

About sRGB: it was proposed by Hewlett-Packard and Microsoft in 1996 as a standard default colour space for the Internet, and it was later standardised as IEC 61966-2-1. It matters here because a JPEG can carry a different profile, such as Display P3 or Adobe RGB, or no profile at all, and Adobe asks for sRGB specifically.

What we tested

We ran Adobe Stock's technical rules against the test JPEGs we keep for this checker. Most of them are small, 320 × 240 pixel files. To test the colour rule without the size rule getting in the way, we edited the width and height fields in each file's header so that it reads 2400 × 1800 pixels (4.3 MP). Nothing else in the files was changed.

Colour profile and format

Test fileResultWhat the report said
JPEG with an embedded sRGB profilePassAn sRGB ICC profile is embedded.
JPEG with no profileCould not verifyNo ICC profile is embedded, so the colour space cannot be confirmed. Export with an embedded sRGB profile.
JPEG with no profile, EXIF says sRGBCould not verifyThe camera metadata declares sRGB, but Adobe asks for an sRGB colour profile, so embed one.
JPEG with a Display P3 profileFailThe embedded profile is not sRGB. Convert to sRGB before submitting.
JPEG with an Adobe RGB (1998) profileFailThe embedded profile is not sRGB. Convert to sRGB before submitting.
CMYK JPEGFailThis is a CMYK JPEG. Convert to sRGB before submitting.
P3 colours with a profile named sRGBFailNot sRGB. The checker reads the colour primaries, not the name.
A PNG file named .jpgFailThe file content is PNG. Adobe Stock photos must be JPEG files.

Resolution

Test fileResultWhat the report said
320 × 240 pixels, uneditedFailBelow the 4 MP minimum.
1999 × 2000 pixels (3.998 MP)FailBelow the 4 MP minimum.
2000 × 2000 pixels (exactly 4,000,000)Could not verifyJust above 4,000,000 pixels but below 4,194,304. Adobe does not define a megapixel precisely.
2400 × 1800 pixels (4.3 MP)PassAt or above the 4 MP minimum.
12000 × 10000 pixels (120 MP)FailAbove the 100 MP maximum.

The 2000 × 2000 result is worth understanding. If a megapixel is 1,000,000 pixels, the file is exactly 4 MP. If it is 1,048,576 pixels, as in binary counting, the file is below 4 MP. Adobe's page does not say which, so the checker says it cannot confirm rather than guessing. File size has the same gap: 45 MB is 45,000,000 bytes in one reading and 47,185,920 bytes in the other.

What a file check cannot tell you

A check on the file cannot see watermarks, logos, trademarks, people who need releases, or whether a photo is sharp and well lit. Our own quality checker also has limits here. We built automatic checks for focus and exposure, and they failed our tests on real photographs, so they are switched off. Zoom in to actual pixel size and look at your photo before you upload.

A clean result means no deterministic technical failures were found in the checks listed. It is not a prediction of Adobe's decision, and Adobe's review criteria are not public.

How to fix each problem

  • Wrong or missing profile. Export again with the sRGB profile selected and embedded, as the checker's message says.
  • CMYK JPEG. Convert to sRGB first. See Should you use RGB or CMYK for printing? for how the two modes differ.
  • Too small. A photo below 4 MP needs a larger original. Resizing up adds pixels, not detail.
  • Too large. Export again at a lower JPEG quality or at a smaller pixel size, then check both limits again.
  • Not a JPEG. Export a real JPEG. Renaming the file does not change its content.

What to do next

Run the batch you plan to upload through the checker, and read Adobe's page again before a large submission, because the page can change after the date we read it, which is shown in the sources. For how our checks work and what they leave out, see how Check Before Submit works. If you also print photos, What DPI do you need for printing? covers resolution for print.

Sources

Figures taken from these sources are quoted as written on the date shown. Your printer's own specification always comes first.

What does a KDP paperback interior PDF need?

Trim size, bleed on three edges, margins by page count, 300 DPI images and embedded fonts. KDP's published numbers, and what a check can and cannot verify.

Why does Adobe Stock refuse photos for quality?

Adobe asks for a sharp main subject, minimal noise and artifacts, and balanced light. What each means, and what software could and could not catch on 96 real photos.

What counts as similar content on Adobe Stock?

Adobe lists flips, crops, filters and slightly different angles as too similar. Which of those a perceptual hash catches, tested on generated scenes and 14 real photos.